
See how one side of this puppy decided that it was going to randomly shift to the left for no apparent reason?
Welcome to my life. I think random left-shifts is pretty much commonplace for me these days.
Speaking of Left (most horrid segue ever…), I got this book on Saturday with my giftcert monies:

The Left Bank Look by Anne Hubert.
Oh, holy crapola. I’m not a big sew-your-own-clothes type (remind me, if you ever come to my house, to show you The Skirt of Dastardly Proportions. Bad things happen when I sew.), so I picked it up intending to kind of glance at it and leave it be, but it’s SO NOT THAT BOOK.
Instead, it’s all about the perception of French style, which I’m sure isn’t how people in France actually live, but that’s okay. It’s how we think they live, and even if it’s not true, I still like it. (Full disclosure: It WAS actually first printed in France. But the french edition may be different. Like what they’re doing to yarnstorm Jane’s book — re-editing it for American eyeballs.)
It’s got bed linens and table linens and refashioned T-shirts and messenger bags and transfers and curtains and….do I really need to go on here? It’s making me a little swoony.
It’s a small, cheap book. Ten bucks at Amazon (link above, where I get, like, a nickel of your ten bucks. Again, full disclosure.), non-glossy paper (which I *love*.), lots of patterns.
The cover even inspired this:

Shoes are cool.
So in an effort not to be totally un-list-worthy today, I made two new recipes for dinner (an appetizer and the main course…crab cakes and stuffed potato skins. mmmm.), updated all my blogs, and set to work, as I said I would, on Collage Unleashed.
Okay, so. We were up to #6, if we were following linearly. Which we’re not. But that’s beside the point. I dove in at #6, with the intention of getting through another two or three exercises.
The problem: It’s all about transparencies. I have none. And while the weather was good enough to go get some, I said I wasn’t going to invest a lot of money in this, nor was I going to go out and buy a bunch of crap … er….supplies, since the whole point of this thing is to use what I have, and use it a LOT. Like, use it UP if I can.
The next problem: There are transparencies in the next THREE exercises. Layering them and painting on them and blah blah blah. *facepalm*
The attitude: Screw it. I think I picked the wrong book for using up my current supplies. But we’ll get to that in a second.
The solution, part deux: Move on to the next one. Which is more my style, I thought. Doodling.
I can doodle. I doodle a lot. I post my doodles for the world to see, in fact. DOODLING, I CAN DO. I have a PhD in DOODLEOLOGY.
True to form, however, this book has you do an exercise whereby you write an alphabet, then layer more text in varying styles over the top of it about your day, then doodle on top of THAT with geometric shapes.
Can you see my eye twitching? It is. Right one. Eyelid’s twittering like a caffeine-addicted chipmunk.
I am Simplicity Girl. I like things like White Space, and the gentle use of color. The nuances of shade against white. The starkness of text on its own, or of the play between pen lines and nothingness. I even get crazy sometimes and fill the whole page with text and marks, but it’s ordered marks. Readable marks. With places for the eye to rest. Paragraphs, because my inner copyeditor gets the bends when it has to deal with improper use of run-on paragraphs.
Like that last one, for instance. Ahem.
Thus, my eye begins to twitch when I produce things like this:

It gives me a headache.
Now, I know, if I’d done more layering (…..*TWITCH*….), and maybe lit it on fire, it would look better, I’m sure. And as the background for some other kind of collageybit, sure. You could think of that as a single-note background. (….*TWITCH IF YOU WERE ON CRACK TWITCH*….) And if I’d worked larger, or with more contrast, maybe. (…*TWITCH*…)
But it so ain’t me, man. One day, someone’s going to find these journals, and they’re going to see all the pages and then see this one and wonder if I’d suddenly been struck colorblind and possibly been struck by a moving vehicle. (Which would be true, but that’s not what caused this mess.)
I’m having serious reservations about the rest of this book. I haven’t been able to do more than half of the exercises, due to the ridiculous amount of supplies necessary to complete them. The other half have sucked quite mightily. (Other than the bookbinding, which I like, but I’m still not sure why each signature needs its own cover. I’m thinking that will be revealed when I need to attach some other kind of visual puke to it later on down the line.)
It IS interesting to me to work in someone else’s style, even when the finished result makes my eye twitch. My own style has evolved a lot over time, kind of organically, so doing all this stuff that’s waaaay out of my evolutionary path is reminding me what my style actually IS. It’s defining it for me, by showing me what it is NOT. And yes, that’s valuable.
I’m going to finish it. Everything other than the stuff I don’t have the stuff for. And then I can probably even get rid of it, I think, from where I’m standing now. If it gets exponentially better for me from here, I’ll keep it, but really….I’m doubtful, based on the experience thusfar.
Which is the SECOND big benefit I’m getting from it: Before this experience, I bought every new alternative arts book that came out. Like, the SECOND it came out. And I’d flip through, oogle the pretty pictures, and put it back on the shelf, for the most part. (I do the same with knitting books. I should be court-martialled by the knitting police.) And better, I WOULD KEEP THEM FOREVER. This is evidenced by my shelves, bowing under the weight of about eight zillion art/craft books.
Now, though, I’m getting to learn what it is that I’m getting by having that object around. I’m learning what, if anything, that object adds to my life, other than bulk and one more thing to dust. I’m figuring out that I don’t have to keep things that aren’t helping me/enriching my world and work/that I love. And the only way to know that is to work with it and see if it works/doesn’t work.
I’m sensing a change coming in the way I buy art/crafty books. I’m starting to see them as tools, rather than a collection.
And that, alone, is worth the cost of a few pages of eye-twitchingly bad art.
(p.s. No, I’m not going to stop drawing every day. I just got to check it off the list. It’s a habit now again, thankfully.)
(p.p.s. Yes, I realize the irony of the lesson about books being tools to be used when I just bought yet ANOTHER craftybook and reviewed it, not two paragraphs above my revelation. I am a living contradiction.)